Kill The Uncomfortable Silence
Written & Directed by Logan DeSaye & Jennie Ganbayar

Having been reanimated, Adne is set on a journey to uncover the details of her death.

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This film was the culmination of a semester-long study at FAMU's prestigious abroad program in Prague. The program was centered around shooting on 35mm film—an unforgiving, precise format that demands meticulous planning, especially with a limited budget. With only four rolls of film (16 minutes of footage), every second counted. As 1st AD, I was responsible for tracking shot lengths and film usage, ensuring we maximized our resources without compromising the vision.

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From concept to production, our writers and directors, Logan and Jennie, crafted a compelling science fiction neo-noir world set in Prague. One of the program’s unique challenges was limiting dialogue to just 10 lines—an obstacle that ultimately strengthened our visual storytelling. From the outset, the film was designed to unfold across two to three carefully controlled locations, ensuring a distinct, atmospheric style.

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​​Our three-day shoot included two full days in an apartment on the outskirts of Prague, while the opening sequence—a reanimation lab setting the film’s eerie tone—was shot in an old warehouse in the city. With the support of our local production manager, we stretched our budget efficiently, utilizing FAMU’s collaboration with Barrandov Studio to acquire key props and set pieces. The bathtub and machinery featured in the opening scene were crucial in bringing our vision to life.

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On set, we collaborated with fellow FAMU students, executing a tightly coordinated shoot. Managing film stock in real time was a steep learning curve, as I had to constantly evaluate whether we could afford another take while preserving enough footage for later scenes. Thanks to clear communication and the adaptability of our DP, Evan Suk, we pulled it off. Rehearsals were critical, allowing us to execute precise long takes and "oners" to maximize efficiency without sacrificing quality.

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This project was an absolute thrill to make, especially in such an inspiring location. Editing a 10-minute film from just 16 minutes of footage required strategic decision-making in post-production. As both 1st AD and editor, I understood the importance of capturing only what was essential and making every frame count. This experience deepened my appreciation for the artistry and discipline required in shooting on film. The constraints pushed us to be more intentional, creative, and resourceful—skills I’ll carry forward into future projects.